February 26, 2011

Creating Gallery Style Templates in Photoshop

If you’re like me, you probably have a few of your own images on display around your home or office. I’m not going to lie, some of my prints I really like and I’ve created a way to display them that makes them look like they were professionally framed and matted. Not only that, when you get tired of looking at them, you can change your photo in just a few minutes. This tutorial was designed to be used with Smart Objects and Smart Guides, but will work with almost any version of Photoshop, so if you’re using CS3 or newer your all set.

Take a look at the image above, I use this style most of the time. The total size of the print is 11 by 14inch. If you look at my image, it appears to be double-matted. I’ve got mine framed in thin black metal frame, available at your local craft or frame store, and it gives it a classy-gallery style feel. Here’s a little tutorial that will show you how to create you own in just a few minutes.

1. Start by opening a new document and make it a 14in width by 11in height. Set your resolution to 240, and your Color Mode to RGB or sRGB and the make sure the Background Contents is set to white.

2. On your keyboard, press and hold the Control key (Ctrl) then tap the R key to bring up your rulers. It should be set to inches, if not, right click directly on the ruler and set it to inches. We’re going to need these to help us measure out our two matt layers. Now we want to create our first border.

3. On the bottom of the layers pallette, click the new layer icon or use the keyboard shortcut, Shift, Ctrl + N, when the dialog box comes up, name it Fill layer and click OK. You should see a blank layer on top of your white background layer in your layers pallette now.

4. Here is where our rulers come in handy. Left click and hold the ruler itself on the top of the window and drag a guide down until it reaches the 1inch mark and then let go of the mouse. Now we need the bottom guide so left click the top again and drag down to the 9 inch mark and let go.

5. Now we’ll repeat the same process on the both sides of the document. Left click the anywhere on the side ruler next to the tool bar and drag out a guide all the way to the right side of the document and let go at the 13 inch mark. Now do it again and drag one out to the 1 inch mark. If your guides aren’t exactly at their marks, tap the V key and then you can drag them to the correct spots. You should have 4 guides that form a rectangular shape in the middle.


6. Make sure your working on the empty top layer. (it will be blue in the Layers Pallette) Here is where we create our first matt border. Tap the M key to bring up the Rectangular Marquee tool. Look in the tool bar and if the rectangular tool isn’t showing, hold the shift key and tap the M key again. Your curser will look like a little plus sign, click directly where your guides intersect in the upper left corner and drag out a box where your guides intersect in the bottom left corner and let go. You should see the marching ants forming a rectangular shape.


7. Now tap the letter D to set your colors to black and white, then tap the letter X to change the foreground color to white. Now hold the Alt key and then tap the delete key. Your rectangle should be filled with white now. You should see a white box in the middle of your new layer in the Layers Pallette.



8. We need some layer style effects now and to do some magic. First, go up to the top of the Layers Pallette and set the Fill opacity to 0. To do this you can either click the little arrow or left click and drag next where it says Fill, (this is called a scrubby slider).









9. Now double-click next to the name on the Fill layer to bring up the layer style dialog box. On the left side of that panel, click the check box next to Inner Shadow, then click next to the name to highlight those style settings (it will turn blue) Copy all the settings from this image. Don't click ok yet.



 
10. Now click the check box next to Inner Glow in the Styles menu and then click next to the name and highlight those style settings (it will turn blue). Copy all the settings from this image. When you’re done, click OK to get out of that box.






11. You should have a line around the outside edge of an invisible box now. To see what I mean, turn off your background layer (click the eye icon) Hold the Ctrl key and tap the semi-colon (nest to the letter L) to turn off our guides. You should see only an outline of a box right? Now click the eye to turn the background back on and hold the Ctrl key and tap the semi-colon again to turn the guides back on.

12. Now we’ve got to create our template box for our image. With our Fill layer still highlighted (blue) hold down the Ctrl key and click the New Layer icon on the bottom of the Layers Pallette. This should create a new layer underneath your Fill layer. If it doesn’t, just drag that new layer underneath your Fill layer.

13. Now we need another set of guides to create our image window box. You do remember how to drag out guides right? If not, go back to steps 4 and 5. This new set of guides are going to be on the inside of our other guides. I’ve found they look good to me set at 3/8 in from our other guides.



14. When you’ve got all four sides done, we are going to use the Rectangular Marquee tool again, tap the M key and drag out a rectangular shape on the new inside guides. In other words, you’ll create a box inside of the last box. Now tap the D key to set our colors to default, then hit the X key to change our foreground to white.

15. Make sure your new layer is highlighted and you see the marching ants. Now go down to the bottom of the Layers Pallette and click the Layer Style icon (the little black and white circle) and a menu box will come up. Click on Solid Color at the top. A dialog box will come up, make sure white is selected and click OK.


16. Now you should see a Solid Color icon and a layer mask on your new layer. Click once on the layer mask to select it, (you’ll see a white border around it) then hold the Ctrl key and tap the letter I. Your mask should change colors. The outside is now white and the inside is black.




17. With your mask still selected, hit the Effects icon on the bottom of your Layers Pallette. It’s the little fx, get it - Ef-fects? When the dialog comes up, check Stroke and highlight it, and copy the settings in this image. You want to make sure size, position, opacity are set and your color is set to Black. If the color is not black, double-click it to bring up the color picker dialog box. Don’t worry, we’re almost done now.


18. Now we need our image layer. With your Color Fill layer highlighted, hold the Ctrl key and then tap the New Layer icon in the bottom of the Layers Pallette. It should create a blank layer beneath our Color Fill layer, if not, drag it below your layer.


19. Select an image to use in your template and open it in Photoshop. You have to make sure it’s large enough for frame, preferably somewhere around 12 x 10 at least. When you have it opened, hold Ctrl and tap the A key to select your image. You should see the marching ants around your image. Now, hold the Ctrl key and tap the letter C to copy it, and now click Ctrl + D to deselect the ants.

20. Now go back to your photo template. Make sure you new layer is highlighted and hold Ctrl and tap the letter V to paste it into our new layer. Your image should be large enough, but if it doesn’t fill the whole image window in the template, press Ctrl and the letter T to bring up the Free Transform handles. Press and hold the Shift and the Alt keys and drag any corner handle to resize it to perspective. Drag it until you see the Free Transform box just outside your last set of guides.


Notice how the mask on the Color Fill layer hides the outside of your image? Now hit the Enter key or the little Checkmark in the top menu bar to get rid of the handles. If you still need your image centered or just moved around, tap the letter V, click on the photo, and just drag it to where you need it. Now when you have your image where you want it, Right click next to your image layers name in the Layers Pallette, a menu will come up, then click Convert to Smart Object. Now when you want to replace this image with another, just right click again and you’ll get a dialog box called Place and it will navigate to any image on your computer. Nice huh?

21. Now we need some text, so click the top layer in the Layers Pallette to select it. Then hit the T key to select the Type tool. On the title bar, select Trajan Pro as our font and set it to Regular and 34.5 size. Click underneath your photo to start your text, don’t worry if it isn’t centered yet, we’ll fix that in a moment. On my image it says Castle Hill Lighthouse, yours can say whatever you like it to be, then hit Enter.

22. Now hit Ctrl J to copy that layer and then drag that layer beneath your other Type layer. You can also hold the Ctrl key and tap the left bracket key instead of dragging to place it beneath your other text layer for you automatically. You’ll notice I use shortcut keys all the time huh? Now hit the V key (the move tool) and tap the down arrows on your keyboard until you get your second line of text where you want it. (see original image) Now we need to center everything.

23. To finish everything off, hold the Ctrl key and click on both Text layers and the background layer to highlight all three of them, then tap the V key. All we need to do is center all our text, so up on the menu bar, click the 5th icon and Photoshop will align everything.



24. Almost finished now. Hold the Ctrl key and tap the semi-colon key to turn off all our guides and take a good look at your new image. Pretty nice huh?

25. Last but not least, you probably don’t want to lose all this work you’ve done so far, so go to the File drop down menu and click Save As.....name it Photo Template or whatever you prefer. Now you have a completely editable template you can use over and over. Nice huh?



Remember, as always, keep shooting and have some fun!

January 14, 2011

DIY - Home Studio Photography

There is a new eBook just made available from the people over at DIY Photography, written by a photographer by the name of Udi Tirosh. It's called, Your Complete Guide to Building A Photography Studio At Home.

Once photographers take the big step forward of finally moving their lighting off camera, a whole new world of possibilities opens up to them. Unfortunately, photographic lighting and equipment can be prohibitively expensive for the average hobbyist and most of us don't want to max out our credit cards just to do it. Luckily, light is light, no matter how expensive your modifiers, and there are countless ways to get nearly the same look as pro-equipment, and for only a fraction of the cost. This eBook is perfect for people interested in making their own Home Studio, tools and equipment.

Face it, if we could afford all the gear and all the space in the world it would rock, wouldn't it? Sadly, if we are shooting in our living room, we probably can't. As shooting-at-home photographers who might have their studio double as living rooms or garages, we have to deal with two constraints, lack of space and lack of gear. While this book mostly deals with lack of gear, it also deals with lack of space. A studio at home can be set up in the garage or the basement of even in a spare bedroom. This eBook can help you with that. 

Originally when I got this eBook I was very surprised because I've purchased quite a few eBooks in the past and most of them averaged between 25-50 pages, but this eBook is 115 pages and it comes loaded with easy to understand diagrams and step-by-step guides along with tons of photos. Granted, you probably won't need or use all the techniques in this book but there is sure to be something for everyone in here. I enjoy checking out the DIY website and have found all sorts of useful articles there.

Last but not least, Home Studio Photography also features 23 do-it yourself projects. Some by other guest contributors such as Nick Wheeler, David Turman, Rui M Leal, Matt Haines, Megan Abshire, Sandra Freeman and Alex Campagna.

Now the people over at DIY are so sure that your are going to love this book and that it will help you kick-start your home studio, they even offer you a Full Refund! If your are unhappy with the eBook for whatever reason, let them know within 30 days and get a Full Refund, no questions asked. So if you've been wanting to experiment with Home Studio Photography without going broke, this eBook is for you. To check it out for yourself, click the link found on the left-hand side of the page and it will take you right there!

Remember, as always, keep shooting and have some fun!

December 15, 2010

How to take great Holiday Photos

Well it’s that time of the year again, Christmas season. For some us that means trying to squeeze in some time to get out with the camera and shoot some of those special outdoor Christmas light displays or maybe it’s just getting photos of the family on Christmas day. A lot of you might be trying out that new camera with the hopes of getting some great photos. But either way, whether you are photographing the symbolic subjects of the holidays or your friends and family, getting creative with your composition certainly cannot hurt. This means that by paying special attention to how you organize the various elements in each photo, you too can create your own set of great holiday memories.

For Better Family and Group Portraits

The most important thing to keep in mind when photographing groups and families is this: you absolutely must take a lot of photos.
There is often a great deal of pressure when photographing groups. A lot of people complain about having their picture taken and want the experience to be over quickly so you'll need to work quickly in order to get the job done within the limits of their patience while trying to keep the experience as fun and friendly as possible. Since there is always someone blinking or looking off to the side or facing another member of the group, having a large number of photos will give you the best chances of catching everyone looking their best.


Shoot First, Ask Questions Later
This is usually the case especially if your subject is a child opening a gift or playing with a gift for the first time because you know that within a split second the whole scene can change. There are often just a few brief moments when that "magic spark" appears. Of course this means having your camera on hand and the batteries fully charged and its always it good idea to have back-up batteries ready also. After all, you can't capture the moment if you don't have your camera turned on and ready to go. Remember, you have to be ready to press that shutter button at a moment's notice, anticipating when the magic spark will surface. If you have a digital camera that suffers from a bit of a delay when taking the picture, then you will have to become even more intuitive and skilled at anticipating the moment. Another good tip; make sure you have enough space on your memory card and carry an extra card with you. Too often people will run out of space and either have to delete some photos or end their shooting for the day. Remember, these days memory cards are very inexpensive, so pick up an extra one and you’ll be glad you did.


Fill Your Frame
One of the most common mistakes I see in Christmas photos (or any party or event) is that people often end up with shots of their subjects off in the distance on the other side of a room with lots of space all around them. Fill your frame with your subject either by using your zoom or just getting up and moving yourself in closer. While this is one of the simplest tips I ever give it is one that can have the most profound impact on your shots. Try it out, you’ll be amazed.

 


Don’t Forget Your White-Balance

Now if your totally new to photography, your probably shooting in JPEG format with your camera set to auto and most digital cameras do a pretty good job with auto-white balance, but if you want to get better photos, try setting to white-balance. If you are shooting in RAW mode, you know you can always go back and change it afterwards if you forget.

Photographing Christmas Lights

The best time to shoot is before it gets totally dark, plus arriving around sunset will give you time to plan your shot before the good light happens. Try to compose your shots with as much sky as possible, getting down real low. Then, once you get your photo framed, set your white-balance to Tungsten as if you were shooting indoors. All those little bulbs are tungsten balanced and as an added bonus your sky will look even better. Needless to say, you’ll need a way to steady your camera, preferably a tripod or mono-pod or even a beanbag for those long exposures. Plus a remote trigger or cable can come in real handy. Shoot a test shot every minute or so constantly checking the LCD. Somewhere between sunset and full dark your Christmas lights and the ambient light with start to mix beautifully. Usually you’ll have about a 10-minute window with nice light. After that, the good light will fade very quickly and you will know it is gone when your photos start looking like the "bad light" photos you used to take.

Bonus Tips:

If you plan to use flash, nothing screams point-and-shoot like using an on-camera flash. Red-eye reduction is nice, but a shoe-mounted flash is so much better. When shooting indoors, not only can you bounce off of a wall or ceiling you can add a diffuser and make it hard to know a flash was used at all. Of course you might be able to avoid this just by using a nice wide aperture like f2.8 and bumping up your ISO a little.
Remember, its always a good idea to plan ahead, maybe even making a check list for things to remember like batteries, cards etc. Another good tip if you already own the camera, read and re-read your manual and get to know it even better. I can’t tell you how important this is.
Well until my next post, I hope you all have a very safe and happy holiday season and remember, as always, keep shooting and have some fun!
 
© D. Gould Photography